000 | 03114nam a2200457 i 4500 | ||
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001 | CR9781108863025 | ||
003 | UkCbUP | ||
005 | 20240909180926.0 | ||
006 | m|||||o||d|||||||| | ||
007 | cr|||||||||||| | ||
008 | 190814s2020||||enk o ||1 0|eng|d | ||
020 | _a9781108863025 (ebook) | ||
020 | _z9781108495776 (hardback) | ||
020 | _z9781108797764 (paperback) | ||
040 |
_aUkCbUP _beng _erda _cUkCbUP |
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043 |
_aa-cc-hk _aa-cc--- |
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050 | 0 | 0 |
_aKNQ9343.4 _b.W36 2020 |
082 | 0 | 0 |
_a791.43/6554095125 _223 |
100 | 1 |
_aWan, Marco, _eauthor. |
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245 | 1 | 0 |
_aFilm and constitutional controversy : _bvisualizing Hong Kong identity in the age of "one country, two systems" / _cMarco Wan, The University of Hong Kong. |
264 | 1 |
_aCambridge : _bCambridge University Press, _c2020. |
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300 |
_a1 online resource (176 pages) : _bdigital, PDF file(s). |
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336 |
_atext _btxt _2rdacontent |
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337 |
_acomputer _bc _2rdamedia |
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338 |
_aonline resource _bcr _2rdacarrier |
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490 | 1 | _aLlaw in context | |
500 | _aTitle from publisher's bibliographic system (viewed on 08 Feb 2021). | ||
505 | 0 | _aLove in a time of transition : Ng See-Yuen's the unwritten law -- Laughing at the law : Johnnie To's justice, my foot! -- Women's rights and censorship : Andrew Lau's raped by an angel -- The common law after 1997 : Joe Ma's Lawyer -- A matter of national security : Tammy Cheung's July -- Choosing the leader : chief executive elections and Hong Kong gangster films -- Scenes from a traumatic event : documenting occupy central (with observations on cinema and the anti-extradition bill protests). | |
520 | _aIn modern-day Hong Kong, major constitutional controversies have caused people to demonstrate on the streets, immigrate to other countries, occupy major thoroughfares, and even engage in violence. These controversies have such great resonance because they put pressure on a cultural identity made possible by, and inseparable from, the 'One Country, Two Systems' framework. Hong Kong is also a city synonymous with film, ranging from commercial gangster movies to the art cinema of Wong Kar-wai. This book argues that while the importance of constitutional controversies for the process of self-formation may not be readily discernible in court judgments and legislative enactments, it is registered in the diverse modes of expression found in Hong Kong cinema. It contends that film gives form to the ways in which Hong Kong identity is articulated, placed under stress, bolstered, and transformed in light of disputes about the nature and meaning of the city's constitutional documents. | ||
600 | 1 | 0 |
_aWong, Kar-wai, _d1958- |
650 | 0 |
_aConstitutional law _zChina _zHong Kong. |
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650 | 0 | _aNational characteristics, Chinese. | |
650 | 0 | _aCulture in motion pictures. | |
650 | 0 | _aLaw in motion pictures. | |
650 | 0 |
_aGroup identity _zChina _zHong Kong. |
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650 | 0 |
_aMotion pictures _xSocial aspects _zChina _zHong Kong. |
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776 | 0 | 8 |
_iPrint version: _z9781108495776 |
830 | 0 | _aLaw in context. | |
856 | 4 | 0 | _uhttps://doi.org/10.1017/9781108863025 |
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_2ddc _cEB |
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_c9237 _d9237 |