000 | 05877cam a2200565 i 4500 | ||
---|---|---|---|
001 | 9781003003441 | ||
003 | FlBoTFG | ||
005 | 20240213122830.0 | ||
006 | m d | | | ||
007 | cr ||||||||||| | ||
008 | 200518s2020 enk ob 001 0 eng | ||
040 |
_aOCoLC-P _beng _erda _cOCoLC-P |
||
020 |
_a9781003003441 _qelectronic book |
||
020 |
_a1003003443 _qelectronic book |
||
020 |
_a9781000081251 _qelectronic book _qelectronic book |
||
020 |
_a1000081257 _qelectronic book _qelectronic book |
||
020 |
_a9781000081299 _qelectronic book _qMobipocket |
||
020 |
_a100008129X _qelectronic book _qMobipocket |
||
020 |
_a9781000081336 _qelectronic book _qEPUB |
||
020 |
_a1000081338 _qelectronic book _qEPUB |
||
020 |
_z9780367426613 _qhardcover |
||
020 |
_z9780367498771 _qpaperback |
||
024 | 8 |
_a10.4324/9781003003441 _2doi |
|
035 |
_a(OCoLC)1157489449 _z(OCoLC)1164359172 _z(OCoLC)1173695266 |
||
035 | _a(OCoLC-P)1157489449 | ||
050 | 4 |
_aZ105 _b.M43 2020 |
|
072 | 7 |
_aLAN _x025060 _2bisacsh |
|
072 | 7 |
_aLCO _x017000 _2bisacsh |
|
072 | 7 |
_aLCO _x000000 _2bisacsh |
|
072 | 7 |
_aGL _2bicssc |
|
082 | 0 | 0 |
_a091.0285 _223 |
245 | 0 | 0 |
_aMedieval manuscripts in the digital age / _cBenjamin Albritton, Georgia Henley, and Elaine Treharne. |
264 | 1 |
_aMilton Park, Abington, Oxon ; _aNew York, NY : _bRoutledge, _c2020. |
|
300 | _a1 online resource. | ||
336 |
_atext _btxt _2rdacontent |
||
337 |
_acomputer _bn _2rdamedia |
||
338 |
_aonline resource _bnc _2rdacarrier |
||
490 | 1 | _aDigital research in the arts and humanities | |
505 | 0 | _aIntroduction / Benjamin Albritton and Elaine Treharne -- I. Theory and Practice -- What it is to be a Digitization Specialist: Chasing Medieval Materials in a Sea of Pixels / Astrid J. Smith -- From the Divine to the Digital: Digitization as Resurrection and reconstruction / Keri Thomas -- A Note on Technology and Functionality in Digital Manuscript Studies / Abigail G. Robertson -- Ways of Seeing Manuscripts: Exploring Parker 2.0 / Andrew Prescott -- II. Materialities -- A Note on Cambridge, Corpus Christi College, 210 / Orietta Da Rold -- Cambridge, Corpus Christi College, 367 -- Part II: A Study in (Digital) Codicology / Peter Stokes -- Pocket Change: Cambridge, Corpus Christi College, 383 and the Value of the Virtual Object / Anya Adair -- Rolling with It: Navigating Absence in the Digital Realm / Siân Echard -- III. Translation and Transmission -- 'Glocal' Matters: The Gospels of St Augustine as a Codex in Translation / Mateusz Fafinski -- Encyclopaedic Notes in Cambridge, Corpus Christi College, 320 / John Gallagher -- Cambridge, Corpus Christi College, 322: Tradition and Transmission / David F. Johnson -- Cambridge, Corpus Christi College, 41 and 286: Digitization as Translation / Sharon M. Rowley -- IV. Of Multimedia and the Multilingual -- Fragmentation and Wholeness in Cambridge, Corpus Christi College, 16 / A. Joseph McMullen -- Cambridge, Corpus Christi College, 144 and 402: Mercian Intellectual Culture in pre-Conquest England (and beyond) / Lindy Brady -- Philologia and Philology: Allegory, Multilingualism and the Corpus Martianus Capella / Elizabeth Boyle -- Remediation and Multilingualism in Corpus Christi College, 402 / Carla María Thomas -- V. Forms of Reading -- Living with Books in Early Medieval England: Solomon and Saturn, Bibliophilia, and the Globalist Red Book of Darley / Erica Weaver -- Severed Heads and Sutured Skins / Catherine Karkov -- Books Consumed, Books Multiplied: Martianus Capella, Ælfric's Homilies, and the International Image Interoperability Framework / Alexandra Bolintineanu -- Making a Home for Manuscripts on the Internet / Michelle R. Warren. | |
520 |
_a"Medieval Manuscripts in the Digital Age explores one major manuscript repository's digital presence and poses timely questions about studying books from a temporal and spatial distance via the online environment. Through contributions from a large group of distinguished international scholars, the volume assesses the impact of being able to access and interpret these early manuscripts in new ways. The focus on Parker on the Web, a world-class, digital repository of diverse medieval manuscripts, comes as that site made its contents Open Access. Exploring the uses of digital representations of medieval texts and their contexts, contributors consider manuscripts from multiple perspectives including production, materiality, and reception. In addition, the volume explicates new interdisciplinary frameworks of analysis for the study of the relationship between texts and their physical contexts, while centring on an appreciation of the opportunities and challenges effected by the digital representation of a tangible object. Approaches extend from the codicological, palaeographical, linguistic, and cultural to considerations of reader reception, image production, and the implications of new technologies for future discoveries. Medieval Manuscripts in the Digital Age advances the debate in manuscript studies about the role of digital and computational sources and tools. As such, the book will appeal to scholars and students working in the disciplines of Digital Humanities, Medieval Studies, Literary Studies, Library and Information Science, and Book History"-- _cProvided by publisher. |
||
588 | _aOCLC-licensed vendor bibliographic record. | ||
650 | 0 |
_aCodicology _xTechnological innovations. |
|
650 | 0 |
_aManuscripts, Medieval _xDigitization. |
|
650 | 7 |
_aLITERARY COLLECTIONS / General _2bisacsh |
|
700 | 1 |
_aAlbritton, Benjamin, _eeditor. |
|
700 | 1 |
_aHenley, Georgia, _eeditor. |
|
700 | 1 |
_aTreharne, Elaine M., _eeditor. |
|
856 | 4 | 0 |
_3Taylor & Francis _uhttps://www.taylorfrancis.com/books/9781003003441 |
856 | 4 | 2 |
_3OCLC metadata license agreement _uhttp://www.oclc.org/content/dam/oclc/forms/terms/vbrl-201703.pdf |
999 |
_c5636 _d5636 |