000 03524cam a2200565 i 4500
001 9780815396215
003 FlBoTFG
005 20240213122830.0
006 m o d
007 cr cnu---unuuu
008 200428t20212021enk ob 001 0 eng
040 _aOCoLC-P
_beng
_erda
_cOCoLC-P
020 _a9780815396215
_qelectronic book
020 _a081539621X
_qelectronic book
020 _a9780429631580
_qelectronic book
020 _a0429631588
_qelectronic book
020 _a9780429633072
_q(electronic bk. : PDF)
020 _a0429633076
_q(electronic bk. : PDF)
020 _a9780429630095
_q(electronic bk. : Mobipocket)
020 _a0429630093
_q(electronic bk. : Mobipocket)
020 _z9780815396185
_qhardcover
020 _z9780815396192
_qpaperback
035 _a(OCoLC)1154113048
035 _a(OCoLC-P)1154113048
050 0 4 _aN72.S6
_bC87 2021
072 7 _aPOL
_x039000
_2bisacsh
072 7 _aART
_x000000
_2bisacsh
072 7 _aGM
_2bicssc
082 0 0 _a707.5
_223
245 0 0 _aCurating under pressure :
_binternational perspectives on negotiating conflict and upholding integrity /
_cedited by Janet Marstine and Svetlana Mintcheva.
264 1 _aAbingdon, Oxon ;
_aNew York, NY :
_bRoutledge,
_c2021.
264 4 _c©2021
300 _a1 online resource (xxiv, 238 pages) :
_billustrations (some color).
336 _atext
_btxt
_2rdacontent
337 _acomputer
_bc
_2rdamedia
338 _aonline resource
_bcr
_2rdacarrier
490 1 _aMuseum meanings
520 _a"Curating Under Pressure breaks the silence surrounding curatorial self-censorship and shows that it is both endemic to the practice and ubiquitous. Contributors map the diverse forms such self-censorship takes and offer creative strategies for negotiating curatorial integrity. This is the first book to look at pressures to self-censor and the curatorial responses to these pressures from a wide range of international perspectives. The book offers examples of the many creative strategies that curators deploy to negotiate pressures to self-censor and gives evidence of curators' political acumen, ethical sagacity and resilience over the long term. It also challenges the assumption that self-censorship is something to be avoided at all costs and suggests that a decision to self-censor may sometimes be politically and ethically imperative. Curating Under Pressure serves as a corrective to the assumption that censorship pressures render practitioners impotent. It demonstrates that curatorial practice under pressure offers inspiring models of agency, ingenuity and empowerment. Curating under Pressure is a highly original and intellectually ambitious volume and, as such, will be of great interest to students and academics in the areas of museum studies, curatorial and gallery studies, art history, studio art, and arts administration. The book will also be an essential tool for museum practitioners"--
_cProvided by publisher.
588 _aOCLC-licensed vendor bibliographic record.
650 0 _aArt and society.
650 0 _aCuratorship.
650 0 _aIntellectual freedom.
650 0 _aCensorship.
650 7 _aPOLITICAL SCIENCE / Censorship
_2bisacsh
650 7 _aART / General
_2bisacsh
700 1 _aMarstine, Janet,
_eeditor.
700 1 _aMintcheva, Svetlana,
_eeditor.
856 4 0 _3Taylor & Francis
_uhttps://www.taylorfrancis.com/books/9780815396215
856 4 2 _3OCLC metadata license agreement
_uhttp://www.oclc.org/content/dam/oclc/forms/terms/vbrl-201703.pdf
999 _c5627
_d5627