000 03216cam a22005418i 4500
001 9780429428524
003 FlBoTFG
005 20240213122829.0
006 m o d
007 cr |||||||||||
008 200327s2020 enk ob 001 0 eng
040 _aOCoLC-P
_beng
_erda
_cOCoLC-P
020 _a9780429428524
_q(ebook)
020 _a0429428529
_q(ebook)
020 _a9780429767258
_q(PDF ebook)
020 _a0429767250
_q(PDF ebook)
020 _a9780429767234
_q(Mobipocket ebook)
020 _a0429767234
_q(Mobipocket ebook)
020 _a9780429767241
_q(electronic bk.)
020 _a0429767242
_q(electronic bk.)
020 _z9781138369672
_q(hbk)
020 _z9781138369689
_q(pbk)
024 7 _a10.4324/9780429428524
_2doi
035 _a(OCoLC)1154948836
035 _a(OCoLC-P)1154948836
050 0 0 _aN8557
072 7 _aART
_x059000
_2bisacsh
072 7 _aART
_x000000
_2bisacsh
072 7 _aGM
_2bicssc
082 0 0 _a708
_223
100 1 _aBoldrick, Stacy,
_eauthor.
245 1 0 _aIconoclasm and the museum /
_cStacy Boldrick.
264 1 _aAbingdon, Oxon ;
_aNew York, NY :
_bRoutledge,
_c2020.
300 _a1 online resource
336 _atext
_btxt
_2rdacontent
337 _acomputer
_bn
_2rdamedia
338 _aonline resource
_bnc
_2rdacarrier
520 _a"Iconoclasm and the Museum addresses the museum's historic tendency to be silent about destruction through an exploration of institutional attitudes to iconoclasm, or image breaking, and the concept's place in public display. Presenting a selection of focused case studies, Boldrick examines long-standing desires to deface, dismantle, obscure or destroy works of art and historic artefacts, as well as motivations to protect and display broken objects. Considering the effects of iconoclastic practices on artworks and cultural artefacts and how those practices are addressed in institutions, the book examines changing attitudes to the intentional destruction of powerful artworks in the past and present. It ends with an analysis of creative destruction in contemporary art making and proposes that we are entering a new phase for museums, in which they acknowledge the critical roles destruction and loss play in the lives of objects and in contemporary political life. Iconoclasm and the Museum will be important reading for academics and students in fields such as museum and gallery studies, archaeology, art history, arts management, curatorial studies, cultural studies, history, heritage and religious studies. The book should also be of great interest to museum professionals, curators and collections management specialists, and artists"--
_cProvided by publisher.
588 _aOCLC-licensed vendor bibliographic record.
650 0 _aArt
_xMutiliation, defacement, etc.
650 0 _aMuseums
_xCollection management.
650 0 _aMuseum conservation methods.
650 0 _aIconoclasm
_xSocial aspects.
650 0 _aIconoclasm
_xPolitical aspects.
650 7 _aART / General
_2bisacsh
856 4 0 _3Taylor & Francis
_uhttps://www.taylorfrancis.com/books/9780429428524
856 4 2 _3OCLC metadata license agreement
_uhttp://www.oclc.org/content/dam/oclc/forms/terms/vbrl-201703.pdf
999 _c5571
_d5571