000 03738cam a2200577 i 4500
001 9780429298691
003 FlBoTFG
005 20240213122829.0
006 m o d
007 cr |||||||||||
008 210507t20222022enka ob 001 0 eng
040 _aOCoLC-P
_beng
_erda
_cOCoLC-P
020 _a9780429298691
_qelectronic book
020 _a0429298692
_qelectronic book
020 _a9781000454659
_qelectronic book
020 _a1000454657
_qelectronic book
020 _a9781000454727
_q(electronic bk. : EPUB)
020 _a100045472X
_q(electronic bk. : EPUB)
020 _z9780367279141
_qhardcover
020 _z9781032104676
_qpaperback
035 _a(OCoLC)1253440857
035 _a(OCoLC-P)1253440857
050 0 4 _aAM7
_b.W555 2022
050 4 _aAM7
072 7 _aART
_x059000
_2bisacsh
072 7 _aCOM
_x087000
_2bisacsh
072 7 _aGM
_2bicssc
082 0 0 _a069/.4093
_223
100 1 _aWilson-Barnao, Caroline,
_eauthor.
245 1 0 _aDigital access and museums as platforms /
_cCaroline Wilson-Barnao.
264 1 _aAbingdon, Oxon ;
_aNew York, NY :
_bRoutledge,
_c2022.
264 4 _c©2022
300 _a1 online resource (ix, 96 pages) :
_billustrations.
336 _atext
_btxt
_2rdacontent
337 _acomputer
_bc
_2rdamedia
338 _aonline resource
_bcr
_2rdacarrier
490 1 _aMuseums in focus
505 0 _aIntroduction: From the analogue to digital museum -- The logic of open access to culture -- From sensory to sensing museum -- From museum to platform -- Negotiating museums as platforms.
520 _a"Digital Access and Museums as Platforms draws on interviews with museum practitioners, along with a range of case studies from public and private institutions, in order to investigate the tensions and benefits involved in making cultural collections available using digital technologies. Taking a media and critical studies approach to the museum and raising questions about the role of privately-owned search engines in facilitating museum experiences, the book questions who collects what, for whom objects are collected and what purpose these objects and collections serve. Connecting fieldwork undertaken in Australia and New Zealand with the global practices of technology companies, Wilson-Barnao brings attention to an emerging new model of digital ownership and moderation. Considering the synergising of these institutions with media systems, which are now playing a more prominent role in facilitating access to culture, the book also explores the motivations of different cultural workers for constructing the museum as a mediatised location. Digital Access and Museums as Platforms will be of interest to academics and students working in the fields of museum studies, art, culture, media studies and digital humanities. Weighing in on conversations about how technologies are being incorporated into museums, the book should also be useful to practitioners working in museums and galleries around the world"--
_cProvided by publisher.
588 _aOCLC-licensed vendor bibliographic record.
650 0 _aMuseum techniques
_xTechnological innovations
_zAustralia.
650 0 _aMuseum techniques
_xTechnological innovations
_zNew Zealand.
650 0 _aMuseums and the Internet
_zAustralia.
650 0 _aMuseums and the Internet
_zNew Zealand.
650 0 _aMuseum information networks
_zAustralia.
650 0 _aMuseum information networks
_zNew Zealand.
650 0 _aVirtual museums
_zAustralia.
650 0 _aVirtual museums
_zNew Zealand.
856 4 0 _3Taylor & Francis
_uhttps://www.taylorfrancis.com/books/9780429298691
856 4 2 _3OCLC metadata license agreement
_uhttp://www.oclc.org/content/dam/oclc/forms/terms/vbrl-201703.pdf
999 _c5500
_d5500