000			03524cam a2200469M 4500
001			9781003171935
003			FlBoTFG
005			20240213122825.0
006			m o d
007			cr |n|||||||||
008			220727s2022 xx o 000 0 eng d
040			_aOCoLC-P _beng _cOCoLC-P
020			_a9781000648171 _q(electronic bk.)
020			_a1000648176 _q(electronic bk.)
020			_a9781003171935 _q(electronic bk.)
020			_a1003171931 _q(electronic bk.)
020			_a9781000648195 _q(electronic bk. : EPUB)
020			_a1000648192 _q(electronic bk. : EPUB)
020			_z0367775239
020			_z9780367775230
024	7		_a10.4324/9781003171935 _2doi
035			_a(OCoLC)1337142776
035			_a(OCoLC-P)1337142776
050		4	_aAM160
072		7	_aART _x059000 _2bisacsh
072		7	_aART _x006000 _2bisacsh
072		7	_aSOC _x029000 _2bisacsh
072		7	_aGM _2bicssc
082	0	4	_a069/.17 _223/eng/20220804
245	0	0	_aCURATING ACCESS : _bdisability art activism and creative accommodation / _cedited by Amanda Cachia.
260			_a[S.l.] : _bROUTLEDGE, _c2022.
300			_a1 online resource
520			_aThis book is an interdisciplinary collection of twenty-four essays which critically examine contemporary exhibitions and artistic practices that focus on conceptual and creative aspects of access. Oftentimes exhibitions tack on access once the artwork has already been executed and ready to be installed in the museum or gallery. But what if the artists were to ponder access as an integral and critical part of their artwork? Can access be creative and experimental? And furthermore, can the curator also fold access into their practice, while working collaboratively with artists, considering it as a theoretical and practical generative force that seeks to make an exhibition more engaging for a wider diversity of audiences? This volume includes essays by a growing number of artists, curators, and scholars who ponder these ideas of ad-hoc, experimental and underground approaches within exhibition-making and artistic practices. It considers how, through these nascent exhibition models and art practices, enhanced experiences of access in the museum can be a shared responsibility amongst museum workers, curators, and artists, in tandem with the public, so that access becomes a zone of intellectual and creative "accommodation," rather than strictly a discourse on policy. The book provides innovative case studies which provide a template for how access might be implemented by individuals, artists, curators, museum administrators and educators given the growing need to offer as many modalities of access as possible within cultural institutions. This book shows that anyone can be a curator of access and demonstrates how to approach access in a way that goes beyond protocol and policy. It will thus be of interest to students and scholars engaged in the study of museums, art history and visual culture, disability, culture, and communication.
588			_aOCLC-licensed vendor bibliographic record.
650		0	_aMuseums and people with disabilities.
650		0	_aMuseums _xBarrier-free design.
650		7	_aART / Collections, Catalogs, Exhibitions _2bisacsh
650		7	_aSOCIAL SCIENCE / Handicapped _2bisacsh
700	1		_aCachia, Amanda, _d1978-
856	4	0	_3Taylor & Francis _uhttps://www.taylorfrancis.com/books/9781003171935
856	4	2	_3OCLC metadata license agreement _uhttp://www.oclc.org/content/dam/oclc/forms/terms/vbrl-201703.pdf
999			_c4961 _d4961