| 000 | 03666cam a22005178i 4500 | ||
|---|---|---|---|
| 001 | 9781003134206 | ||
| 003 | FlBoTFG | ||
| 005 | 20240213122825.0 | ||
| 006 | m d u | ||
| 007 | cr ||||||||||| | ||
| 008 | 200731s2021 enk ob 001 0 eng | ||
| 040 |
_aOCoLC-P _beng _erda _cOCoLC-P |
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| 020 |
_a9781003134206 _q(ebook) |
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| 020 | _a1003134203 | ||
| 020 |
_a9781000300512 _q(electronic bk.) |
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| 020 |
_a9781000316865 _q(electronic bk. : Mobipocket) |
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| 020 |
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_a9781000317527 _q(electronic bk. : EPUB) |
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| 020 |
_z9780415432245 _q(hardback) |
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| 020 |
_z9780415432252 _q(paperback) |
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| 035 | _a(OCoLC)1195819671 | ||
| 035 | _a(OCoLC-P)1195819671 | ||
| 050 | 0 | 0 | _aPN1993.4 |
| 072 | 7 |
_aLAN _x025000 _2bisacsh |
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| 072 | 7 |
_aPER _x004030 _2bisacsh |
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| 072 | 7 |
_aGM _2bicssc |
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| 082 | 0 | 0 |
_a791.43075 _223 |
| 100 | 1 |
_aCere, Rinella, _eauthor. |
|
| 245 | 1 | 3 |
_aAn international study of film museums / _cRinella Cere. |
| 264 | 1 |
_aLondon ; _aNew York : _bRoutledge, _c2021. |
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| 300 | _a1 online resource | ||
| 336 |
_atext _btxt _2rdacontent |
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| 337 |
_acomputer _bn _2rdamedia |
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| 338 |
_aonline resource _bnc _2rdacarrier |
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| 505 | 0 | _aThe Birth of the Museum of Cinema -- The National Science and Media Museum -- Who is guarding the treasures now? The Cinémathèque Française-Musée du Cinéma -- 'Thought of a museum of cinema': the Museo Nazionale del Cinema in Turin -- The Museu del cinema in Girona, Catalonia -- Eastman House: an international museum of photography and cinema -- Conclusion. | |
| 520 |
_a"An International Study of Film Museums examines how cinema has been transformed and strengthened through museological and archival activities since its origins, and asks what paradoxes may be involved, if any, in putting cinema into a museum. Cere explores the ideas that were first proposed during the first half of the twentieth century around the need to establish national museums of cinema and how these have been adapted in the subsequent development of the five case studies presented here: four in Europe and one in the USA. The book traces the history of the five museums' foundation, exhibitions, collections, and festivals organised under their aegis and it asks how they resolve the tensions between cinema as an aesthetic artefact - now officially recognised as part of humanity's cultural heritage - and cinema as an entertainment and leisure activity. It also gives an account of recent developments around unifying collections, exhibition activities and archives in one national film centre that offers the general public a space totally devoted to film and cinematographic culture. An International Study of Film Museums provides a unique comparative study of museums of cinema in varying national contexts. The book will be of interest to academics and students around the world who are engaged in the study of museums, archives, heritage, film, history, and visual culture"-- _cProvided by publisher. |
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| 588 | _aOCLC-licensed vendor bibliographic record. | ||
| 650 | 0 |
_aMotion pictures _xHistory _xMuseums _zEurope. |
|
| 650 | 0 |
_aMotion pictures _xHistory _xMuseums _zUnited States. |
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| 650 | 7 |
_aLANGUAGE ARTS & DISCIPLINES / Library & Information Science _2bisacsh |
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| 650 | 7 |
_aPERFORMING ARTS / Film & Video / History & Criticism _2bisacsh |
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| 856 | 4 | 0 |
_3Taylor & Francis _uhttps://www.taylorfrancis.com/books/9781003134206 |
| 856 | 4 | 2 |
_3OCLC metadata license agreement _uhttp://www.oclc.org/content/dam/oclc/forms/terms/vbrl-201703.pdf |
| 999 |
_c4853 _d4853 |
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