000 04431nam a2200481Ia 4500
001 BP9781839022333BC
003 UkLoBP
006 m o d
007 cr cn|||||||||
008 230109s2022 enk o 00 0 eng
020 _a9781839022333
_q(online)
020 _z9781839022296
_q(paperback)
020 _z9781839022302(hardback)
020 _z9781839022319
_q(epub)
020 _z9781839022326
_q(PDF)
024 7 _a10.5040/9781839022333
_2doi
035 _a(OCoLC)1353605473
040 _aUkLoBP
_beng
_erda
_cUkLoBP
050 0 4 _aPN1993.5.F7
_bT444 2022
082 0 4 _a791.430944
245 0 4 _aThe French new wave :
_bcritical landmarks.
250 _aSecond edition.
264 1 _aLondon :
_bBritish Film Institute,
_c2022.
264 2 _aLondon :
_bBloomsbury Publishing,
_c2022.
300 _a1 online resource
336 _atext
_btxt
_2rdacontent
337 _acomputer
_2rdamedia
338 _aonline resource
_2rdacarrier
347 _atext file
_2rdaft
347 _bHTML/PDF
505 0 _aIntroduction: Sixty Years of the French New Wave --1. The politique des auteurs: foundational texts --The Birth of a New Avant-Garde: La Caméra-Stylo ALEXANDRE ASTRUC --A Certain Tendency in French Cinema FRANÇOIS TRUFFAUT --The Evolution of Film Language ANDRÉ BAZIN --La Politique des auteurs ANDRÉ BAZIN --2. Critical debates: authorship and mise-en-scène --The Delights of Ambiguity: In Praise of André Bazin GÉRARD GOZLAN --Little Themes CLAUDE CHABROL. --Review of Alexandre Astruc’s Une vie JEAN-LUC GODARD. --The Emperor Has No Clothes ROBERT BENAYOUN. --Interview with François Truffaut CAHIERS DU CINÉMA. --3. Authorship-mise-en-scène Case Study: the reception of A bout de soufflé --Contrasting Views of A bout de souffle: Jean-Luc Godard LUC MOULLET . --A bout de souffle RAYMONDE BORDE . --Le Quai des brumes 1960: A bout de souffle by Jean-Luc Godard GEORGES SADOUL. --4. Critical debates: The Missing Perspective, gender and politics Identikit of the ‘New Wave’ heroine EVELYNE SULLEROT --Goodnight, Doctor Kinsey PIERRE KAST --Three texts by MICHÈLE FIRK --Hiroshima mon amour, the heart and the mind FRANÇOISE AUDÉ --5. Gender Case study: the reception of Agnès Varda MONOD: La Pointe courte; SADOUL: Cleo de 5 a 7; BORY: Cleo de 5 a 7 --Bibliography --Index.
520 _aThe French New Wave is an essential anthology of writings by and about the critics and filmmakers of this revolutionary cinematic movement, which has had a radical impact on film practice and the way we think and write about film. The volume includes foundational writings such as Francois Truffaut's A Certain Tendency in French Cinema and Andre Bazin's La Politique des auteurs, as well writings by Jean-Luc Godard, Claude Chabrol and Alexandre Astruc. This new edition now represents writings by and about women critics and film-makers, including important articles by the critics Evelyne Sullerot, Michele Firk and Françoise Aude, addressing issues of gender and representation, as well as considering New Wave films in the context of contemporary political events, notably France's colonialist war on the Algerian independence movement. To accompany the case study of Godard's À bout de souffle, the new edition includes a case study of the critical reception of two films by Agnès Varda: La Pointe Courte and Cléo de 5 à 7. The articles have been specially translated for the volume by Peter Graham, and some are published for the first time in English. These classic writings are accompanied by contextualising introductions by Ginette Vincendeau, updated for this new edition, to form a unique resource on this key cinematic movement and its practitioners..
532 0 _aCompliant with Level AA of the Web Content Accessibility Guidelines. Content is displayed as HTML full text which can easily be resized or read with assistive technology, with mark-up that allows screen readers and keyboard-only users to navigate easily
650 0 _aCinema.
650 0 _aFilm
_xCriticism
_zFrance.
650 0 _aFilmmaking
_xTheory.
650 0 _aMedia studies.
650 7 _aNew wave films
_0(OCoLC)1036943
_2fast
650 7 _aMotion pictures
_0(OCoLC)1027285
_2fast
650 7 _aMotion pictures
_xEvaluation
_0(OCoLC)1027324
_2fast
651 7 _aFrance
_0(OCoLC)1204289
_2fast
856 4 0 _uhttps://doi.org/10.5040/9781839022333?locatt=label:secondary_bloomsburyCollections
999 _c11044
_d11044