000			03728nam a22005291i 4500
001			bpp09260266
003			UtOrBLW
005			20240402193143.0
006			m d
007			cr un ---uuuua
008			161216s2016 enk ob 001 0 eng d
020			_a9781782257899
020			_z9781509902019 (PDF)
020			_z9781509902026 (electronic book)
020			_z9781849467773 (hardback)
024	7		_a10.5040/9781782257899 _2doi
035			_a(OCoLC)952227119
040			_aUtOrBLW _beng _cUtOrBLW _dUkLoBP _erda _epn
041			_aeng
050	1	0	_aK1460
082	0	0	_a346.04/82 _223
100	1		_aIljadica, Marta, _eauthor.
245	1	0	_aCopyright beyond law : _bregulating creativity in the graffiti subculture / _cMarta Iljadica.
264		1	_aOxford [UK] ; _aPortland, Oregon : _bHart Publishing, _c2016.
300			_a1 online resource
336			_atext _btxt _2rdacontent
337			_acomputer _bc _2rdamedia
338			_aonline resource _bcr _2rdacarrier
504			_aIncludes bibliographical references and index.
505	0		_aGraffiti history and development -- Copyright, creativity, and commons -- Methodology : reflections on fieldwork -- Copyright subject matter -- Graffiti rules? : write letters, choose spots -- Moral rights -- Graffiti rules ? don't go over -- Graffiti rules and copyright law.
520	8		_aThe form of graffiti writing on trains and walls is not accidental. Nor is its absence on cars and houses. Employing a particular style of letters, choosing which walls and trains to write on, copying another writer, altering or destroying another writer's work: these acts are regulated within the graffiti subculture. Copyright Beyond Law presents findings from empirical research undertaken into the graffiti subculture to show that graffiti writers informally regulate their creativity through a system of norms that are remarkably similar to copyright. The 'graffiti rules' and their copyright law parallels include: the requirement of writing letters (subject matter) and appropriate placement (public policy and morality exceptions for copyright subsistence and the enforcement of copyright), originality and the prohibition of copying (originality and infringement by reproduction), and the prohibition of damage to another writer's works (the moral right of integrity). The intersection between the 'graffiti rules' and copyright law sheds light on the creation of subculture-specific commons and the limits of copyright law in incentivising and regulating the production and location of creativity
530			_aAlso issued in print.
532	1		_aCompliant with Level AA of the Web Content Accessibility Guidelines. Content is displayed as HTML full text which can easily be resized or read with assistive technology, with mark-up that allows screen readers and keyboard-only users to navigate easily
533			_aElectronic reproduction. _bLondon : _cBloomsbury Publishing, _d2016 _nAvailable via World Wide Web. _nAccess limited by licensing agreement.
588			_aDescription based on print version record and CIP data provided by publisher; resource not viewed.
650		0	_aCopyright _xArt.
650		0	_aGraffiti _xHistory.
650		0	_aLaw and art.
650		0	_aPublic art _xLaw and legislation.
650		0	_aStreet art _xHistory.
650		7	_2Financial law
776	0		_aOriginal _w(DLC) 2016029539
776	0	8	_iPrint version: _aIljadica, Marta, author. _tCopyright beyond law _dOxford [UK] ; Portland, Oregon : Hart Publishing, 2016 _z9781849467773 _w(DLC) 2016029282
856	4	0	_uhttps://doi.org/10.5040/9781782257899?locatt=label:secondary_bloomsburyCollections
975			_aHart Publishing 2016
999			_c11033 _d11033