000 04098nam a2200337Ia 4500
001 BP9781509964154BC
003 UkLoBP
006 m o d
007 cr cn|||||||||
008 230109s2022 enk o 00 0 eng
020 _a9781509964154
_q(online)
020 _z9781509964147(hardback)
024 7 _a10.5040/9781509964154
_2doi
035 _a(OCoLC)1353605405
040 _aUkLoBP
_beng
_erda
_cUkLoBP
245 0 0 _aDigital ethics :
_bthe issue of images.
250 _aFirst edition.
264 1 _aLondon :
_bNomos/Hart,
_c2022.
264 2 _aLondon :
_bBloomsbury Publishing,
_c2022.
300 _a1 online resource
336 _atext
_btxt
_2rdacontent
337 _acomputer
_2rdamedia
338 _aonline resource
_2rdacarrier
347 _atext file
_2rdaft
347 _bHTML/PDF
505 0 _aPart 1 From Drawings to Deep Fakes - Some Introductory Remarks --Chapter 1 Images, Technology, Ethics and Law - An Intricate Relationship (Thomas Dreier/Tiziana Andina) --Chapter 2 From Goethe’s Italian Journey to Transalpine Online Navigation - Narrative Changes and Transnational Stereotypes (Werner Gephart) --Part 2 Ethical Foundations --Chapter 3 Digital Image Ethics - How it Could be Pursued and What It Might Have to Say (Reinold Schmücker) --Chapter 4 Form and Norm in Pictures (Enrico Terrone) --Part 3 Images, Art and Society --Chapter 5 Who Cares About Privacy? - The Documedia Surplus Value (Maurizio Ferraris) --Chapter 6 Immersive Artistic Forms - What They Are and How to Identify Them (Davide Dal Sasso) --Chapter 7 From Works to Living Means of Communication - The Digital Image and the ‘Iconic Turn’ (Wolfgang Ullrich) --Chapter 8 Fairness Aspects of Techniques of Referencing Cultures (Eva-Maria Bauer) --Chapter 9 Towards a New Ethic: Building Transgenerationality - Digital Images to Orient the Future (Tiziana Andina) --Chapter 10 Iconoclasm and Iconoclash - The Digital Restoration of the Movement-Image (Cosetta Saba) --Part 4 Binary Encoding, Artificial Intelligence and the Dissolution of the Visual Object --Chapter 11 Semioethics of the Visual Fake (Massimo Leone) --Chapter 12 From Copy & Paste to Deep Fakes - Digital Collaging and Image Manipulation (Olivia Hagle) --Chapter 13 The Multi-Layered Information in a Digital Image (Benjamin Raue) --Chapter 14 Portrait or Personal Data - The Rivalry of Image and Data Protection Legislation (Lorenz Müller-Tamm) --Chapter 15 Human Authorship and Art Created by Artificial Intelligence - Where Do We Stand? (Gianmaria Ajani) --Part 5 Technology, Ethics and Legal Norms --Chapter 16 A Face in the Cloud? - Identifying Moral Issues and Constraints in Cloud-Based Image Storage (Wybo Houkes) --Chapter 17 The Deontic Power of the Internet - Access Controls and the Obsolescence of Legal Norms (Thomas Dreier) --Chapter 18 Algorithmic Censorship of Online Visual Content - Ethical, Political, and Economic Rationales (Eberhard Ortland) --Chapter 19 The Issue of the Image of Algorithms (Lisa Käde) --Part 6 Ethics and Fundamental Rights --Chapter 20 The Constitutional Protection of Images (Johannes Eichenhofer) --Chapter 21 Contemporary Art on Trial - The Fundamental Right to Free Artistic Expression and the Regulation of the Use of Images by Copyright Law (Christophe Geiger).
520 _aCan there even be an applied ethics of digital images? What content could such a normative ethics have? And finally: What is the relationship between ethics and the law of digital images? This book collects contributions of an interdisciplinary German-Italian conference in the Villa Vigoni funded by the DFG to explore the ethical questions raised by digital images..
532 0 _aCompliant with Level AA of the Web Content Accessibility Guidelines. Content is displayed as HTML full text which can easily be resized or read with assistive technology, with mark-up that allows screen readers and keyboard-only users to navigate easily
650 7 _aIT & Communications law
_2bicssc.
856 4 0 _uhttps://doi.org/10.5040/9781509964154?locatt=label:secondary_bloomsburyCollections
999 _c10924
_d10924