000 04208nam a2200457 i 4500
001 9781509927067
003 CaBNVSL
005 20240314135246.0
006 m o d
007 cr cn|||||||||
008 210119s2021 enk ob 101 0 eng d
020 _a9781509927067
_q(ebook)
020 _z9781509927043
_q(PDF)
020 _z9781509927036
_q(print)
020 _z1509927034
_q(print)
024 7 _a10.5040/9781509927067
_2doi
035 _a(OCoLC)1236900059
040 _aYDX
_beng
_erda
_cCaBNVSL
_dCaBNVSL
100 1 _aMcdonagh, luke,
_eauthor.
245 1 0 _aPerforming copyright :
_blaw, theatre and authorship /
_cLuke McDonagh.
250 _aFirst edition.
264 1 _aLondon [England] :
_bHART PUBLISHING,
_c2021.
264 2 _a[London, England] :
_bBloomsbury Publishing,
_c2021
300 _a1 online resource (256 pages).
336 _atext
_2rdacontent
337 _acomputer
_2rdamedia
338 _aonline resource
_2rdacarrier
504 _aIncludes bibliographical references.
505 0 _aTable of Statutes -- Table of Cases -- 1. Introduction ? Copyright and Authorship on Stage -- 2. 'The Play's the Thing' ? But What Is the Play? -- 3. Copyright Law and Performing Authorship in Theatre ? Exploring the Contrasting Roles of the Playwright, Director and Performers -- 4. When Does Copyright Infringement Occur on "The Haunted Stage"? -- 5. Moral Rights ? Assessing Copyright's Role in Enforcing Credit and Control in Theatre -- 6. How Should Law Respond to the Challenges of the Theatrical Context? How Should Theatre Respond to Law? -- Bibliography.
506 _aAbstract freely available; full-text restricted to individual document purchasers.
520 _a"Based on empirical research, this innovative book explores issues of performativity and authorship in the theatre world under copyright law and addresses several inter-connected questions: who is the author and first owner of a dramatic work? Who gets the credit and the licensing rights? What rights do the performers of the work have? Given the nature of theatre as a medium reliant on the re-use of prior existing works, tropes, themes and plots, what happens if an allegation of copyright infringement is made against a playwright? Furthermore, who possesses moral rights over the work? To evaluate these questions in the context of theatre, the first part of the book examines the history of the dramatic work both as text and as performative work. The second part explores the notions of authorship and joint authorship under copyright law as they apply to the actual process of creating plays, referring to legal and theatrical literature, as well as empirical research. The third part looks at the notion of copyright infringement in the context of theatre, noting that cases of alleged theatrical infringement reach the courts comparatively rarely in comparison with music cases, and assessing the reasons for this with respect to empirical research. The fourth part examines the way moral rights of attribution and integrity work in the context of theatre. The book concludes with a prescriptive comment on how law should respond to the challenges provided by the theatrical context, and how theatre should respond to law. Very original and innovative, this book proposes a ground-breaking empirical approach to study the implications of copyright law in society and makes a wonderful case for the need to consider the reciprocal influence between law and practice."--
_cProvided by publisher.
530 _aAlso published in print.
532 0 _aCompliant with Level AA of the Web Content Accessibility Guidelines. Content is displayed as HTML full text which can easily be resized or read with assistive technology, with mark-up that allows screen readers and keyboard-only users to navigate easily
538 _aMode of access: World Wide Web.
650 7 _aCopyright law
_2bicssc
655 0 _aElectronic books.
776 0 8 _iPrint version:
_w(OCoLC)1178642118
_z9781509927036
856 4 0 _3Abstract with links to full text
_uhttps://doi.org/10.5040/9781509927067?locatt=label:secondary_bloomsburyCollections
975 _aHart Publishing 2021
999 _c10575
_d10575