000			03990nam a2200517 i 4500
001			9781474256261
003			CaBNVSL
005			20240311173802.0
006			m o d
007			cr cn|||||||||
008			210803t20212019enka ob 101 0 eng d
020			_a9781474256261 _q(ebook)
020			_z9781474256254 _q(ePub)
020			_z9781474254908 _q(print)
020			_z147425490X _q(print)
024	7		_a10.5040/9781474256261 _2doi
035			_a(OCoLC)1263822809
040			_aYDX _beng _erda _cCaBNVSL _dCaBNVSL
050		0	_aPN1996 _b.L865 2019eb
050		4	_aTR899 _b.L865 2019eb
082	0	4	_a778.5235 _223
100	1		_aLambden, Julie, _eauthor.
245	1	0	_aFilm editing : _bemotion, performance and story / _cJulie Lambden.
250			_aFirst edition.
264		1	_aLondon, England : _bZed Books, _c2019.
264		2	_a[London, England] : _bBloomsbury Publishing, _c2021
300			_a1 online resource (224 pages) : _billustrations.
336			_atext _2rdacontent
337			_acomputer _2rdamedia
338			_aonline resource _2rdacarrier
500			_aIncludes index.
505	0		_aIntroduction -- Chapter 1: Moving Pictures; the structuring of Story and Emotion -- Chapter 2: Montage -- Chapter 3: Study 1- Parallel Tracks -- Chapter 4: Continuous Time and Space -- Chapter 5: Study 2 ? Subjective Eyes -- Chapter 6: The Expressive Potential of the Audio-Visual Dynamic -- Chapter 7: Study 3: Fascinating Rhythms -- Chapter 8: Constructing a Performance -- Index
506			_aAbstract freely available; full-text restricted to individual document purchasers.
520			_a"Film editing is part of the long process of formulating, acquiring and presenting the images and sounds that make a film. The film editor makes decisions about the arrangement of the visual and aural material that they receive in the cutting room, not for their own satisfaction but to stimulate the participation of the cinema and television viewer. Three interrelated aspects, Emotion, Performance and Story, influence this decision-making. Combining history, practice, study and theory, Film Editing: Emotion, Performance, Story investigates why certain editorial decisions can encourage the emotional and narrative engagement of the audience. With full-color examples from features, short films and commercials, this book introduces a range of different editing styles and techniques to provide editors with a context on which to build their practice. Julie Lambden takes a discursive approach exploring the many options open to the editor whether this is the fine point at which to cut or the exact structuring of scenes within a whole film. Examples are closely analysed and discussed using frame grabs, graphics and plans. The book opens discussions on our psychological and cognitive behavior, and asks why certain picture and sound configurations can affect us emotionally. Interspersed with chapters on the fundamental tools of editing are studies of three editing strategies. Each is a method of persuasion that the editor can use to elicit a response in the audience, whether that is sympathy for a character or belief in the fictional world."-- _cProvided by publisher.
530			_aAlso published in print.
532	0		_aCompliant with Level AA of the Web Content Accessibility Guidelines. Content is displayed as HTML full text which can easily be resized or read with assistive technology, with mark-up that allows screen readers and keyboard-only users to navigate easily
538			_aMode of access: World Wide Web.
650		0	_aMotion pictures _xEditing.
650		0	_aCinematography.
650		7	_aCinematography, television camerawork _2bicssc
655		0	_aElectronic books.
776	0	8	_iPrint version: _w(OCoLC)1052852457 _z9781474254908
856	4	0	_3Abstract with links to full text _uhttps://doi.org/10.5040/9781474256261?locatt=label:secondary_bloomsburyCollections
975			_aBC - Minor Textbooks
999			_c10460 _d10460