000			04016nam a2200601 i 4500
001			9781474246699
003			CaBNVSL
005			20240311162551.0
006			m o d
007			cr cn|||||||||
008			210729t20212020enk ob 101 0 eng d
010			_z 2020020660 (print)
020			_a9781474246699 _q(ebook)
020			_z9781474246675 _q(print)
020			_z1474246672 _q(paperback)
020			_z9781474246651 _q(hardback)
020			_z1474246656 _q(hardback)
020			_z9781474246682 _q(ePub)
020			_z9781474246644 _q(PDF)
024	7		_a10.5040/9781474246699 _2doi
035			_a(OCoLC)1263822353
040			_aDLC _beng _erda _cCaBNVSL _dCaBNVSL
050		4	_aPN2049 _b.G56 2020eb
082	0	4	_a792.01 _223
100	1		_aGluhovic, Milija, _d1971- _eauthor.
245	1	0	_aTheory for theatre studies : _bmemory / _cMilija Gluhovic.
246	3		_aMemory
250			_aFirst edition.
264		1	_aLondon, England : _bZed Books, _c2020.
264		2	_a[London, England] : _bBloomsbury Publishing, _c2021
300			_a1 online resource (x, 167 pages).
336			_atext _2rdacontent
337			_acomputer _2rdamedia
338			_aonline resource _2rdacarrier
490	1		_aTheory for theatre studies
500			_a"Series editors: Susan Bennett and Kim Solga"--Title page.
504			_aIncludes bibliographical references and index.
505	0		_aSection one. Mapping memory: theorizing recollection -- Section two. Searching for a common ground: performance, testimony, and small acts of repair -- Section three. Memory and migration.
506			_aAbstract freely available; full-text restricted to individual document purchasers.
520			_a"Starting with a premise that memory holds a privileged place in contemporary experience, Theory for Theatre Studies: Memory explores the intersections between contemporary theatre and performance, the interdisciplinary field of memory studies, and current preoccupations with the politics of memory across the globe. After offering a fresh critical snapshot of the major theoretical foundations for the study of memory today, the book presents vivid theatrical examples from across the globe and compellingly illustrates the centrality of memory for the theatre as well as the vital role of theatre in making political claims and interventions and transmitting individual and collective memories. Works considered include Tadeusz Kantor's Wielopole, Wielopole, Lola Arias' Minefield, Katie Mitchell's The Forbidden Zone, Brokentalkers's The Blue Boy, and André Amálio's Liberation. Part of the Theory for Theatre Studies series which introduces core theoretical concepts that underpin the discipline, Memory provides a balance of essential background information and original thinking, and is grounded in case studies to illuminate and equip readers. Volumes follow a consistent three-part structure: an overview of how the term has been understood within the discipline; current trends illustrated by substantive case studies; and emergent trends and interdisciplinary connections. Volumes are supported by further online resources including illustrative material, questions and exercises"-- _cProvided by publisher.
530			_aAlso published in print.
532	0		_aCompliant with Level AA of the Web Content Accessibility Guidelines. Content is displayed as HTML full text which can easily be resized or read with assistive technology, with mark-up that allows screen readers and keyboard-only users to navigate easily
538			_aMode of access: World Wide Web.
650		0	_aTheater _xPhilosophy.
650		0	_aMemory in literature.
650		7	_aTheatre studies _2bicssc
655		0	_aElectronic books.
776	0	8	_iPrint version: _z9781474246675
830		0	_aTheory for theatre studies
856	4	0	_3Abstract with links to full text _uhttps://doi.org/10.5040/9781474246699?locatt=label:secondary_bloomsburyCollections
975			_aBC - Minor Textbooks
999			_c10456 _d10456