000			05401nam a2200541 i 4500
001			9781350285439
003			CaBNVSL
005			20240308120332.0
006			m o d
007			cr cn||||m|||a
008			220202s2022 enk o 000 0 eng d
020			_a9781350285439 _q(online)
020			_a9781350285187 _q(ePub)
020			_z9781350285200 _q(softback)
020			_z9781350285170 _q(hardback)
024	7		_a10.5040/9781350285439 _2doi
035			_a(OCoLC)1295393963
040			_aCaBNVSL _beng _erda _cCaBNVSL _dCaBNVSL
050		4	_aPN2049 _b.P47 2022eb
072		7	_aAN _2bicssc
072		7	_aJPSD _2bicssc
082	0	4	_a792 _223
245	0	0	_aPerforming statecraft : _bthe postdiplomatic theatre of sovereigns, citizens, and states / _c[edited by] James R. Ball III.
250			_aFirst edition.
264		1	_aLondon [England] : _bMethuen Drama, _c2022.
264		2	_a[London, England] : _bBloomsbury Publishing, _c2022
300			_a1 online resource (256 pages)
336			_atext _2rdacontent
337			_acomputer _2rdamedia
338			_aonline resource _2rdacarrier
490	1		_aMethuen Drama Agitations: Text, Politics and Performances
505	0		_aIntroduction: Postdiplomatic Theatre / James R. Ball III (Texas A&M University, USA) -- 1. (En)Acting the Republic: the 1916 Rising as a Spectacle of Self-Sacrifice for Ireland / Áine Josephine Tyrrell (independent scholar) -- 2. An Indian Princess, British Monarchs, and a President: Diplomatic Performance and Indigenous Sovereignties in 1939 / Christiana Molldrem Harkulich (Eastern Illinois University, USA) -- 3. Nkrumah's Batakari: performance and the sartorial in pro-independence Ghanaian politics / David Donkor (Texas A&M University, USA) -- 4. Windrush Strikes Back: 'Rivers of Blood,' Performance, and Guerrilla Diplomacy / Mary Karen Dahl (Florida State University, USA) -- 5. Theater of Operations/Operating Theatre: War-as-Medicine in American Statecraft / Warren Kluber (Columbia University, USA) -- 6. Viral Diplomacy: Music, Masks, and Maritime Borders Between China and the Philippines / Adam Kielman (The Chinese University of Hong Kong, Hong Kong) -- 7. The President Makes a Play: Putin and Erdogan's Sporting Diplomacy / Sean Bartley (Northwestern State University, USA) and Jared Strange (University of Maryland College Park, USA) -- 8. DunaPart Dissent: Using Theatre as Public Protest in Budapest, Hungary / Natka Bianchini (Loyola University Maryland, USA) -- 9. Statecraft and Revolution: Remaking Bolívar for an Anti-Imperialist Transnational Alliance / Angela Marino (University of California, Berkeley, USA) -- 10. Dissensus and Diplomacy / Tony Perucci (University of North Carolina at Chapel Hill, USA) Index.
506			_aAbstract freely available; full-text restricted to individual document purchasers.
520			_a"The crafts of governance and diplomacy are spectacular, theatrical, and performative. Performing Statecraft investigates the performances of states, their leaders, and their citizens on an expanded field of the global arts of statecraft. What is the role of performance in governance and diplomacy? How can we advance interventions into global politics by artists, scholars, and activists? Treating theatre as both an artform and as a practice of political actors, this book draws together scholarship on the use of theatre as a soft power tool, arts activism on the world stage, embodied dimensions of governance, sports performance by heads of state, the performativity of national dress, speechmaking and colonialism, war and medicine, singing diplomats, indigenous sovereignties, performed nationalisms, and related themes. Performing Statecraft brings the perspective and methods of performance studies to bear on global politics, offering exciting new insights into encounters between states, sovereigns, and people. Whether one is watching a campaign speech, a nightly news broadcast, a sacred dance, or a theatre company in exile, these chapters make clear the importance of performance as a tool wielded by amateurs and professionals to articulate the nation in global spaces. Attending to such performances reveals how worlds are made where official statecraft and citizen statecraft converge and conflict. Tracing these conflicts, new histories appear in which a performing body reasserts itself as an essential component of a global politics that embraces dissent and recognizes the vulnerability of power."-- _cProvided by publisher.
532	0		_aCompliant with Level AA of the Web Content Accessibility Guidelines. Content is displayed as HTML full text which can easily be resized or read with assistive technology, with mark-up that allows screen readers and keyboard-only users to navigate easily.
538			_aMode of access: World Wide Web.
650		0	_aTheater _xPolitical aspects.
650		0	_aDiplomacy _xPolitical aspects.
650		0	_aPerforming arts _xPolitical aspects.
650		7	_aTheatre studies _2bicssc
650		7	_aDiplomacy _2bicssc
655		4	_aElectronic books.
700	1		_aBall, James R. _bIII, _eeditor.
776	0	8	_iPrint version: _z9781350285200
830		0	_aMethuen Drama Agitations: Text, Politics and Performances.
856	4	0	_3Abstract with links to full text _uhttps://doi.org/10.5040/9781350285439?locatt=label:secondary_bloomsburyCollections _qtext/html
975			_aTxT Only
999			_c10404 _d10404