000			03541nam a2200553 i 4500
001			9781350104884
003			CaBNVSL
005			20240305154806.0
006			m o d
007			cr cn|||||||||
008			211111t20212022enk ob 001 0 eng d
020			_a9781350104884 _q(electronic)
020			_a1350104884 _q(electronic)
020			_a9781350104877 _q(ebook)
020			_a9781350104891 _q(PDF)
020			_z9781350104914 _q(hardback)
020			_z9781350104907 _q(paperback)
024	7		_a10.5040/9781350104884 _2doi
035			_a(OCoLC)1290324920
040			_aCaBNVSL _beng _erda _cCaBNVSL _dCaBNVSL
050		4	_aND1140 _b.G27 2022eb
082	0	4	_a750 _223
100	1		_aGaiger, Jason, _eauthor
245	1	0	_aPhilosophy and painting / _c Jason Gaiger.
250			_aFirst edition.
264		1	_aLondon [England] : _bBloomsbury, _c2022.
264		2	_a[London, England] : _bBloomsbury Publishing, _c2021
300			_a1 online resource (224 pages).
336			_atext _2rdacontent
337			_acomputer _2rdamedia
338			_aonline resource _2rdacarrier
490	1		_aBloomsbury aesthetics
504			_aIncludes bibliographical references and index.
505	0		_aPreface -- 1. Philosophical Questions -- 2. A Window onto the World -- 3. Surface and Subject -- 4. Resemblance and Denotation -- 5. The Specifically Visual -- 6. Modernism and the Avant-Garde -- 7. Contemporary Painting -- Bibliography -- Index
506			_aAbstract freely available; full-text restricted to individual document purchasers.
520			_a"What can philosophy reveal about painting that might otherwise remain hidden or obscure? Investigating the complex relationship between what a painting represents and the means by which it is represented, Philosophy and Painting introduces and opens up current debates and ideas. Now thoroughly updated, this 2nd edition includes an additional chapter on contemporary painting, examining the work of artists such as Lynette Yiadom-Boakye, Amy Sillman, and Katharina Grosse, and coverage of topics including the post-medium condition and the digital divide. Remaining highly readable throughout, the book provides a philosophically rigorous defence of the relevance of painting in the 21st-century . It is the ideal starting point for anyone interested in the major ideas informing painting as an art. It covers: - How and why painting may be distinguished from other art forms. - The relationship between the painted surface and the depicted subject. - The "rules of representation" specific to painting. - The limits of formalism. - The most recent technological and artistic developments and their implications"-- _cProvided by publisher.
530			_aAlso published in print.
532	0		_aCompliant with Level AA of the Web Content Accessibility Guidelines. Content is displayed as HTML full text which can easily be resized or read with assistive technology, with mark-up that allows screen readers and keyboard-only users to navigate easily
538			_aMode of access: World Wide Web.
650		0	_aPainting _xPhilosophy.
650		0	_aArt and philosophy.
650		7	_aPhilosophy: aesthetics,Painting & paintings _2bicssc
655		0	_aElectronic books.
776	0	8	_iPrint version: _z9781350104914 _z9781350104907
830		0	_aBloomsbury aesthetics.
856	4	0	_3Abstract with links to full text _uhttps://doi.org/10.5040/9781350104884?locatt=label:secondary_bloomsburyCollections
975			_aSupplementary Textbooks
999			_c10299 _d10299