Digital ethics : (Record no. 10924)
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000 -LEADER | |
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fixed length control field | 04098nam a2200337Ia 4500 |
001 - CONTROL NUMBER | |
control field | BP9781509964154BC |
003 - CONTROL NUMBER IDENTIFIER | |
control field | UkLoBP |
006 - FIXED-LENGTH DATA ELEMENTS--ADDITIONAL MATERIAL CHARACTERISTICS | |
fixed length control field | m o d |
007 - PHYSICAL DESCRIPTION FIXED FIELD--GENERAL INFORMATION | |
fixed length control field | cr cn||||||||| |
008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION | |
fixed length control field | 230109s2022 enk o 00 0 eng |
020 ## - INTERNATIONAL STANDARD BOOK NUMBER | |
International Standard Book Number | 9781509964154 |
Qualifying information | (online) |
020 ## - INTERNATIONAL STANDARD BOOK NUMBER | |
Canceled/invalid ISBN | 9781509964147(hardback) |
024 7# - OTHER STANDARD IDENTIFIER | |
Standard number or code | 10.5040/9781509964154 |
Source of number or code | doi |
035 ## - SYSTEM CONTROL NUMBER | |
System control number | (OCoLC)1353605405 |
040 ## - CATALOGING SOURCE | |
Original cataloging agency | UkLoBP |
Language of cataloging | eng |
Description conventions | rda |
Transcribing agency | UkLoBP |
245 00 - TITLE STATEMENT | |
Title | Digital ethics : |
Remainder of title | the issue of images. |
250 ## - EDITION STATEMENT | |
Edition statement | First edition. |
264 #1 - PRODUCTION, PUBLICATION, DISTRIBUTION, MANUFACTURE, AND COPYRIGHT NOTICE | |
Place of production, publication, distribution, manufacture | London : |
Name of producer, publisher, distributor, manufacturer | Nomos/Hart, |
Date of production, publication, distribution, manufacture, or copyright notice | 2022. |
264 #2 - PRODUCTION, PUBLICATION, DISTRIBUTION, MANUFACTURE, AND COPYRIGHT NOTICE | |
Place of production, publication, distribution, manufacture | London : |
Name of producer, publisher, distributor, manufacturer | Bloomsbury Publishing, |
Date of production, publication, distribution, manufacture, or copyright notice | 2022. |
300 ## - PHYSICAL DESCRIPTION | |
Extent | 1 online resource |
336 ## - CONTENT TYPE | |
Content type term | text |
Content type code | txt |
Source | rdacontent |
337 ## - MEDIA TYPE | |
Media type term | computer |
Source | rdamedia |
338 ## - CARRIER TYPE | |
Carrier type term | online resource |
Source | rdacarrier |
347 ## - DIGITAL FILE CHARACTERISTICS | |
File type | text file |
Source | rdaft |
347 ## - DIGITAL FILE CHARACTERISTICS | |
Encoding format | HTML/PDF |
505 0# - FORMATTED CONTENTS NOTE | |
Formatted contents note | Part 1 From Drawings to Deep Fakes - Some Introductory Remarks --Chapter 1 Images, Technology, Ethics and Law - An Intricate Relationship (Thomas Dreier/Tiziana Andina) --Chapter 2 From Goethe’s Italian Journey to Transalpine Online Navigation - Narrative Changes and Transnational Stereotypes (Werner Gephart) --Part 2 Ethical Foundations --Chapter 3 Digital Image Ethics - How it Could be Pursued and What It Might Have to Say (Reinold Schmücker) --Chapter 4 Form and Norm in Pictures (Enrico Terrone) --Part 3 Images, Art and Society --Chapter 5 Who Cares About Privacy? - The Documedia Surplus Value (Maurizio Ferraris) --Chapter 6 Immersive Artistic Forms - What They Are and How to Identify Them (Davide Dal Sasso) --Chapter 7 From Works to Living Means of Communication - The Digital Image and the ‘Iconic Turn’ (Wolfgang Ullrich) --Chapter 8 Fairness Aspects of Techniques of Referencing Cultures (Eva-Maria Bauer) --Chapter 9 Towards a New Ethic: Building Transgenerationality - Digital Images to Orient the Future (Tiziana Andina) --Chapter 10 Iconoclasm and Iconoclash - The Digital Restoration of the Movement-Image (Cosetta Saba) --Part 4 Binary Encoding, Artificial Intelligence and the Dissolution of the Visual Object --Chapter 11 Semioethics of the Visual Fake (Massimo Leone) --Chapter 12 From Copy & Paste to Deep Fakes - Digital Collaging and Image Manipulation (Olivia Hagle) --Chapter 13 The Multi-Layered Information in a Digital Image (Benjamin Raue) --Chapter 14 Portrait or Personal Data - The Rivalry of Image and Data Protection Legislation (Lorenz Müller-Tamm) --Chapter 15 Human Authorship and Art Created by Artificial Intelligence - Where Do We Stand? (Gianmaria Ajani) --Part 5 Technology, Ethics and Legal Norms --Chapter 16 A Face in the Cloud? - Identifying Moral Issues and Constraints in Cloud-Based Image Storage (Wybo Houkes) --Chapter 17 The Deontic Power of the Internet - Access Controls and the Obsolescence of Legal Norms (Thomas Dreier) --Chapter 18 Algorithmic Censorship of Online Visual Content - Ethical, Political, and Economic Rationales (Eberhard Ortland) --Chapter 19 The Issue of the Image of Algorithms (Lisa Käde) --Part 6 Ethics and Fundamental Rights --Chapter 20 The Constitutional Protection of Images (Johannes Eichenhofer) --Chapter 21 Contemporary Art on Trial - The Fundamental Right to Free Artistic Expression and the Regulation of the Use of Images by Copyright Law (Christophe Geiger). |
520 ## - SUMMARY, ETC. | |
Summary, etc. | Can there even be an applied ethics of digital images? What content could such a normative ethics have? And finally: What is the relationship between ethics and the law of digital images? This book collects contributions of an interdisciplinary German-Italian conference in the Villa Vigoni funded by the DFG to explore the ethical questions raised by digital images.. |
532 0# - ACCESSIBILITY NOTE | |
Summary of accessibility | Compliant with Level AA of the Web Content Accessibility Guidelines. Content is displayed as HTML full text which can easily be resized or read with assistive technology, with mark-up that allows screen readers and keyboard-only users to navigate easily |
650 #7 - SUBJECT ADDED ENTRY--TOPICAL TERM | |
Topical term or geographic name entry element | IT & Communications law |
Source of heading or term | bicssc. |
856 40 - ELECTRONIC LOCATION AND ACCESS | |
Uniform Resource Identifier | <a href="https://doi.org/10.5040/9781509964154?locatt=label:secondary_bloomsburyCollections">https://doi.org/10.5040/9781509964154?locatt=label:secondary_bloomsburyCollections</a> |
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