New philosophies of film : (Record no. 10357)
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| fixed length control field | 04580nam a2200505 i 4500 |
| 001 - CONTROL NUMBER | |
| control field | 9781350181960 |
| 003 - CONTROL NUMBER IDENTIFIER | |
| control field | CaBNVSL |
| 005 - DATE AND TIME OF LATEST TRANSACTION | |
| control field | 20240306124643.0 |
| 006 - FIXED-LENGTH DATA ELEMENTS--ADDITIONAL MATERIAL CHARACTERISTICS | |
| fixed length control field | m o d |
| 007 - PHYSICAL DESCRIPTION FIXED FIELD--GENERAL INFORMATION | |
| fixed length control field | cr |n||||||||| |
| 008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION | |
| fixed length control field | 211111r20222021enk ob 001 0 eng d |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER | |
| International Standard Book Number | 9781350181960 |
| Qualifying information | (ebook) |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER | |
| Canceled/invalid ISBN | 9781350181953 |
| Qualifying information | (PDF) |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER | |
| Canceled/invalid ISBN | 9781350181922 |
| Qualifying information | (electronic) |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER | |
| Canceled/invalid ISBN | 9781350181939 |
| Qualifying information | (print) |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER | |
| Canceled/invalid ISBN | 1350181935 |
| Qualifying information | (print) |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER | |
| Canceled/invalid ISBN | 1350181927 |
| Qualifying information | (print) |
| 024 7# - OTHER STANDARD IDENTIFIER | |
| Standard number or code | 10.5040/9781350181960 |
| Source of number or code | doi |
| 035 ## - SYSTEM CONTROL NUMBER | |
| System control number | (OCoLC)1289456200 |
| 040 ## - CATALOGING SOURCE | |
| Original cataloging agency | CaBNVSL |
| Language of cataloging | eng |
| Description conventions | rda |
| Transcribing agency | CaBNVSL |
| Modifying agency | CaBNVSL |
| 050 #4 - LIBRARY OF CONGRESS CALL NUMBER | |
| Classification number | PN1995 |
| Item number | .S56 2022eb |
| 082 04 - DEWEY DECIMAL CLASSIFICATION NUMBER | |
| Classification number | 791.4301 |
| Edition number | 23 |
| 100 1# - MAIN ENTRY--PERSONAL NAME | |
| Personal name | Sinnerbrink, Robert, |
| Relator term | author |
| 245 10 - TITLE STATEMENT | |
| Title | New philosophies of film : |
| Remainder of title | an introduction to cinema as a way of thinking / |
| Statement of responsibility, etc. | Robert Sinnerbrink. |
| 250 ## - EDITION STATEMENT | |
| Edition statement | First edition. |
| 264 #1 - PRODUCTION, PUBLICATION, DISTRIBUTION, MANUFACTURE, AND COPYRIGHT NOTICE | |
| Place of production, publication, distribution, manufacture | London [England] : |
| Name of producer, publisher, distributor, manufacturer | Bloomsbury, |
| Date of production, publication, distribution, manufacture, or copyright notice | 2022. |
| 264 #2 - PRODUCTION, PUBLICATION, DISTRIBUTION, MANUFACTURE, AND COPYRIGHT NOTICE | |
| Place of production, publication, distribution, manufacture | London [England] : |
| Name of producer, publisher, distributor, manufacturer | Bloomsbury Publishing, |
| Date of production, publication, distribution, manufacture, or copyright notice | 2021. |
| 300 ## - PHYSICAL DESCRIPTION | |
| Extent | 1 online resource (320 pages) |
| 336 ## - CONTENT TYPE | |
| Content type term | text |
| Source | rdacontent |
| 337 ## - MEDIA TYPE | |
| Media type term | computer |
| Source | rdamedia |
| 338 ## - CARRIER TYPE | |
| Carrier type term | online resource |
| Source | rdacarrier |
| 504 ## - BIBLIOGRAPHY, ETC. NOTE | |
| Bibliography, etc. note | Includes bibliographical references and index. |
| 505 0# - FORMATTED CONTENTS NOTE | |
| Formatted contents note | List of Figures -- Preface: Philosophical Film Theory Today -- Introduction: Why Did Philosophy Go to the Movies? -- Part I: The Analytic-Cognitivist Turn -- 1. -- The Empire Strikes Back: Critiques of 'Grand Theory' -- 2. -- The Rules of the Game: New Ontologies of Film -- 3. -- Adaptation: Philosophical Approaches to Narrative -- Part II: From Cognitivism to Phenomenology to Film-Philosophy -- 4. -- A.I: Cognitivism Goes to the Movies -- 5. -- Body Double: Adventures in Phenomenology -- 6. -- Bande à part: Deleuze's Cine-Philosophy -- 7. -- Now, Voyager: Cavell as Film-Philosopher -- 8. -- Scenes from a Marriage: The "Film as Philosophy" -- 9. -- What is Cinematic Ethics?: Cuáron's Roma (2018) as Case Study -- Part III: Cinematic Thinking -- 10. -- Planet Melancholia (2011): Romanticism, Mood, and Cinematic Ethics -- 11. -- Humanimality?: Cinematic Ethics in Blackfish, The Cove and Le Quattro Volte -- 12. -- Television as Philosophy: Reflections on Black Mirror -- Conclusion: A Dialogue on the Future of Film-Philosophy -- Notes -- Appendix: Further Reading, Online Resources, Websites -- Bibliography -- Filmography -- Index |
| 506 ## - RESTRICTIONS ON ACCESS NOTE | |
| Terms governing access | Abstract freely available; full-text restricted to individual document purchasers. |
| 520 ## - SUMMARY, ETC. | |
| Summary, etc. | "What can philosophy teach us about cinema? Can cinema transform how we understand philosophy? How should we describe the competing approaches to philosophizing on film? New Philosophies of Film answers these questions by offering a lucid introduction to the exciting developments and contentious debates within the philosophy of film. Mapping out the conceptual terrain, it examines both analytic and continental approaches to cinema and puts forward a pluralist film philosophy, grounded in practical examples from film, documentaries and television series. Now thoroughly updated to showcase the most recent developments in the field, this 2nd edition features: New chapters on phenomenology, cinematic ethics, documentary film and television as philosophy, incorporating feminist, socio-political and ecological approaches to cinema; Contemporary case studies including Roma , Melancholia , Blackfish and the Netflix series Black Mirror; Expanded coverage of Gilles Deleuze and Stanley Cavell, two of the most influential philosophers of film; An updated bibliography, filmography and reading lists, with links to online resources to support further study. Demonstrating how the film-philosophy encounter can open up new paths for thinking, New Philosophies of Film is an essential resource for putting interdisciplinary inquiry into practice."-- |
| Assigning source | Provided by publisher. |
| 532 0# - ACCESSIBILITY NOTE | |
| Summary of accessibility | Compliant with Level AA of the Web Content Accessibility Guidelines. Content is displayed as HTML full text which can easily be resized or read with assistive technology, with mark-up that allows screen readers and keyboard-only users to navigate easily |
| 538 ## - SYSTEM DETAILS NOTE | |
| System details note | Mode of access: World Wide Web. |
| 650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM | |
| Topical term or geographic name entry element | Motion pictures |
| General subdivision | Philosophy. |
| 650 #7 - SUBJECT ADDED ENTRY--TOPICAL TERM | |
| Topical term or geographic name entry element | Philosophy: aesthetics,Films, cinema,Film theory & criticism |
| Source of heading or term | bicssc |
| 655 #0 - INDEX TERM--GENRE/FORM | |
| Genre/form data or focus term | Electronic books. |
| 776 08 - ADDITIONAL PHYSICAL FORM ENTRY | |
| Relationship information | Print version: |
| International Standard Book Number | 9781350181922 |
| 856 40 - ELECTRONIC LOCATION AND ACCESS | |
| Materials specified | Abstract with links to full text |
| Uniform Resource Identifier | <a href="https://doi.org/10.5040/9781350181960?locatt=label:secondary_bloomsburyCollections">https://doi.org/10.5040/9781350181960?locatt=label:secondary_bloomsburyCollections</a> |
| 975 ## - | |
| -- | Supplementary Textbooks |
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