The Commedia dell'arte / (Record no. 10321)
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000 -LEADER | |
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fixed length control field | 04721nam a2200541 i 4500 |
001 - CONTROL NUMBER | |
control field | 9781350144224 |
003 - CONTROL NUMBER IDENTIFIER | |
control field | CaBNVSL |
005 - DATE AND TIME OF LATEST TRANSACTION | |
control field | 20240305162747.0 |
006 - FIXED-LENGTH DATA ELEMENTS--ADDITIONAL MATERIAL CHARACTERISTICS | |
fixed length control field | m o d |
007 - PHYSICAL DESCRIPTION FIXED FIELD--GENERAL INFORMATION | |
fixed length control field | cr cn||||||||| |
008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION | |
fixed length control field | 211111t20212022enk ob 001 0 eng d |
020 ## - INTERNATIONAL STANDARD BOOK NUMBER | |
International Standard Book Number | 9781350144224 |
Qualifying information | (electronic) |
020 ## - INTERNATIONAL STANDARD BOOK NUMBER | |
International Standard Book Number | 1350144223 |
Qualifying information | (electronic) |
020 ## - INTERNATIONAL STANDARD BOOK NUMBER | |
International Standard Book Number | 9781350144200 |
Qualifying information | (ebook) |
020 ## - INTERNATIONAL STANDARD BOOK NUMBER | |
International Standard Book Number | 9781350144217 |
Qualifying information | (PDF) |
020 ## - INTERNATIONAL STANDARD BOOK NUMBER | |
Canceled/invalid ISBN | 9781350144194 |
Qualifying information | (hardback) |
020 ## - INTERNATIONAL STANDARD BOOK NUMBER | |
Canceled/invalid ISBN | 9781350144187 |
Qualifying information | (paperback) |
024 7# - OTHER STANDARD IDENTIFIER | |
Standard number or code | 10.5040/9781350144224 |
Source of number or code | doi |
035 ## - SYSTEM CONTROL NUMBER | |
System control number | (OCoLC)1290324697 |
040 ## - CATALOGING SOURCE | |
Original cataloging agency | CaBNVSL |
Language of cataloging | eng |
Description conventions | rda |
Transcribing agency | CaBNVSL |
Modifying agency | CaBNVSL |
050 #4 - LIBRARY OF CONGRESS CALL NUMBER | |
Classification number | PQ4155 |
Item number | .P53 2022eb |
082 04 - DEWEY DECIMAL CLASSIFICATION NUMBER | |
Classification number | 852/.052309 |
Edition number | 23 |
100 1# - MAIN ENTRY--PERSONAL NAME | |
Personal name | Pietropaolo, Domenico, |
Dates associated with a name | 1949- |
Relator term | author |
245 14 - TITLE STATEMENT | |
Title | The Commedia dell'arte / |
Statement of responsibility, etc. | Domenico Pietropaolo. |
250 ## - EDITION STATEMENT | |
Edition statement | First edition. |
264 #1 - PRODUCTION, PUBLICATION, DISTRIBUTION, MANUFACTURE, AND COPYRIGHT NOTICE | |
Place of production, publication, distribution, manufacture | London [England] : |
Name of producer, publisher, distributor, manufacturer | Bloomsbury Methuen Drama, |
Date of production, publication, distribution, manufacture, or copyright notice | 2022. |
264 #2 - PRODUCTION, PUBLICATION, DISTRIBUTION, MANUFACTURE, AND COPYRIGHT NOTICE | |
Place of production, publication, distribution, manufacture | [London, England] : |
Name of producer, publisher, distributor, manufacturer | Bloomsbury Publishing, |
Date of production, publication, distribution, manufacture, or copyright notice | 2021 |
300 ## - PHYSICAL DESCRIPTION | |
Extent | 1 online resource (208 pages). |
336 ## - CONTENT TYPE | |
Content type term | text |
Source | rdacontent |
337 ## - MEDIA TYPE | |
Media type term | computer |
Source | rdamedia |
338 ## - CARRIER TYPE | |
Carrier type term | online resource |
Source | rdacarrier |
490 1# - SERIES STATEMENT | |
Series statement | Forms of drama |
504 ## - BIBLIOGRAPHY, ETC. NOTE | |
Bibliography, etc. note | Includes bibliographical references and index. |
505 0# - FORMATTED CONTENTS NOTE | |
Formatted contents note | List of Figures -- Series Preface -- Acknowledgements -- Introduction -- Part 1: Form, Dramaturgy and Content of Early Commedia dell'Arte -- 1. The First Professionals -- 2. Elements of Form: Characters and Dramatic Actions -- 3. Elements of Form: The Scenario, Lazzi, Improvisation -- 4. Commedia dell'Arte and Ottonelli's Theology -- Part 2: Innovations in the 18th Century -- 5. From Scenario to Script: Riccoboni and Goldoni -- 6. Riccoboni's Commedia of Civic Responsibility -- 7. The Commedia dell'Arte in Goldoni's Reform -- 8. Gozzi's Fable Form: A New Horizon of Expectations -- Part 3: Adaptations and Revivals -- 9. Commedia dell'Arte and Grotesque Dance: Gregorio Lambranzi -- 10. Pulcinellate and Harlequinades -- 11. Commedia dell'Arte in the Opera Libretto -- 12. Continuity and Transformation in the 20th Century -- References -- Index |
506 ## - RESTRICTIONS ON ACCESS NOTE | |
Terms governing access | Abstract freely available; full-text restricted to individual document purchasers. |
520 ## - SUMMARY, ETC. | |
Summary, etc. | "What were the origins of commedia dell'arte and how did it evolve as a dramatic form over the next two centuries? How did its relationship to the ruling ideology of the day change during the Enlightenment? What is its legacy today? These are just some of the questions addressed in this authoritative overview of the dramatic, ideological and aesthetic form of commedia dell'arte. The book's three sections examine the changing role of performers and playwrights, improvisatory scenarios and scripted performance, and its function as a vehicle for social criticism, to offer readers a clear understanding of commedia dell'arte's evolution in Renaissance Italy. This study throws new light on the role of women performers; its changing ideological discourse, which included social reform and, later, conservatism and the alienation of ethnic minorities in complicity with its audience; and its later adaptation into hybrid forms including grotesque dance and the giullarata typified by the work of Dario Fo. In a commedia dell'arte play, the agents of the dramatic action are stock characters identified by costume, dialect, style of movement, dramatic function and social class, and they are, among other things, vehicles of the troupe's social criticism. A major product of the new entertainment industry of the Renaissance, commedia dell'arte rose quickly to a position of dominance in the European comic theatre. By the middle of the 18th century, it started to practice more genteel forms of humour and to mutate into other genres, such as the Harlequinade, grotesque dance and scripted comedy, becoming in the process an artistic accomplice of the counter-Enlightenment"-- |
Assigning source | Provided by publisher. |
530 ## - ADDITIONAL PHYSICAL FORM AVAILABLE NOTE | |
Additional physical form available note | Also published in print. |
532 0# - ACCESSIBILITY NOTE | |
Summary of accessibility | Compliant with Level AA of the Web Content Accessibility Guidelines. Content is displayed as HTML full text which can easily be resized or read with assistive technology, with mark-up that allows screen readers and keyboard-only users to navigate easily |
538 ## - SYSTEM DETAILS NOTE | |
System details note | Mode of access: World Wide Web. |
650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM | |
Topical term or geographic name entry element | Commedia dell'arte |
General subdivision | History and criticism. |
650 #7 - SUBJECT ADDED ENTRY--TOPICAL TERM | |
Topical term or geographic name entry element | Theatre studies,Social & cultural history |
Source of heading or term | bicssc |
655 #0 - INDEX TERM--GENRE/FORM | |
Genre/form data or focus term | Electronic books. |
776 08 - ADDITIONAL PHYSICAL FORM ENTRY | |
Relationship information | Print version: |
International Standard Book Number | 9781350144194 |
-- | 9781350144187 |
830 #0 - SERIES ADDED ENTRY--UNIFORM TITLE | |
Uniform title | Forms of drama. |
856 40 - ELECTRONIC LOCATION AND ACCESS | |
Materials specified | Abstract with links to full text |
Uniform Resource Identifier | <a href="https://doi.org/10.5040/9781350144224?locatt=label:secondary_bloomsburyCollections">https://doi.org/10.5040/9781350144224?locatt=label:secondary_bloomsburyCollections</a> |
975 ## - | |
-- | Supplementary Textbooks |
No items available.